Archive for the Technique Category


Posted in Block Prints, Process, Technique with tags , , , , , , , on December 9, 2009 by scratchyb

Eric Battaglia © 2009

Over the past few months I’ve been taking a letterpress class at Lillstreet Art Center.  It’s been interesting, and a little trying on my patience.  Setting type is a painstaking process, and doesn’t carry the same intrinsic reward for me as meticulous drawing does.  So I kept my use of type to small phrases, like this design, and combining them with my linocut blocks.  I’ve got a few more experimental ideas to try in the last remaining weeks of the class, so we’ll see what else develops.

Scorched wood policy

Posted in Art, Process, Technique with tags , , , , on November 3, 2009 by scratchyb


My very first woodburn.  I decided I really wanted to try this out, but didn’t want to go for the expense of a whole kit.  So, I bought a cheap woodburning pen from Michael’s.  It’s made by Walnut Hollow, the same company that cuts my wood plaques.  Wow, and I just realized how evocative of country kitsch these materials are, nonetheless I’ve got some very cool and non-traditional ideas in store.  Just you wait.  And I intend to use reclaimed and rescued wood wherever I can, even if only prepared panels that someone else didn’t want (I’ve got enough of those for a few projects  yet).


Posted in Art, Process, Technique with tags , , , on October 4, 2009 by scratchyb

I’m thinking of taking up pyrography, since I’ve been planning to start using wood as a support for my artwork. As my “Creatures of the Arboretarium” series shows, I’ve already begun to appreciate the unique background that wood provides to a drawing. The only obstacle I can think of is, the reproductions, should I decide to make any, won’t be as crisp and nice as they would be on paper. The natural grain that makes wood such a good medium also tends to muck up a print, at least in my opinion.

If I can find an inexpensive kit, I may try it soon. I’ve got an idea that I think would really work well with this medium and a bit of watercolor or thinned out acrylic. I think this is one of those mediums that has a bad image, because of all those “Bless this House” plaques. Maybe if I started doing some “Damn Your Eyes” plaques . . .

The Koalabat cometh

Posted in animals, Art, Hybrids, Process, Technique with tags , , , , , , on September 23, 2009 by scratchyb

What can I say?  The wings are an example of the dangers of crosshatch addiction.  Yes, they are crosshatched in.  I do, in fact, understand that there are mediums which can fill in dark spaces much more efficiently, but I prefer doing things the painful way.


All images © Eric Battaglia 2009

Why Block Prints?

Posted in Art, Block Prints, Process, Technique with tags , , , , on April 29, 2009 by scratchyb

I was buying some envelopes for the afore-mentioned  Soar card at the Paper Source, and the woman at the counter asked about the card.  When I  said it was a linocut,  she said she tried that herself, but never could “get it.”  It is hard to get, in some ways.  Really, when you can create the whole style of a woodcut or linocut digitally, without the sloppiness and randomness of hand-printing, why go through the trouble of creating a design, then cutting the design (sometimes multiple versions, if you are doing multi-colored prints) and the aggravation of prints that don’t pull quite as well as you’d like?

For me, a lart part of the appeal is the process.  I work in IT, so I don’t relish the idea of coming home to spend more time on the computer.   I like working analog, with physical objects.  The tackiness of the ink when it’s rolled out onto the block, moving the barren over the paper, the unpredictability of the outcome.  The low-tech approach of hand-made prints is relaxing in its own way.  The level of planning and flexibility that’s required helps keep the focus, because while I can adjust to or correct mistakes, I can’t completely undo them in the real world.

Given the boom of the craft and handmade movement, it seems like I’m not alone in this.  The thing is, I appreciate digital work as well.  But I’ve never been an “out with the old” type, I just add more tools and skills to the pile.  That’s another part of the appeal for me, and I suspect for others, in learning old technologies and processes.  It’s a rejection of the mentality that everything new necessarily has to replace something else.  That’s an idea that I think has cut us off from a lot of great works, especially once some authority declares a movement or a medium dead when it hasn’t even been fully explored.  Ultimately, we all need a chance to slow down and enjoy the work we and others do for its own sake, and stop worrying about being cutting edge.

Recent Projects

Posted in animals, Block Prints, Process, Technique with tags , , , , , , , , on April 28, 2009 by scratchyb

A couple of weeks ago I took a staycation that was supposed to be a chance to catch up on some projects I’ve felt like I was falling behind on.  Of course, that’s when I got the flu.  Not the swine flu, but just the plain old I don’t have the energy to do anything flu.  So, it was a minor miracle that I got some things done.  I got some under-sketches for a series of drawings that I intend to turn into a book, tentatively titled “13 Devils and 13 Demons”.


I also made this block print of a flying squirrel, which started as sort of an upbeat greeting card for a friend (normally, I don’t do upbeat) and wound up being something I was pretty satisfied with.  The card was two colors, easy enough to do just by inking up the top with brown and then the bottom with green.  That’s my favorite kind of dual color print, no need to worry about registration or cutting multiple blocks.  I also did a few single-color prints with some Speedball paper I had.

squirrelcard squirrelprintsquirrelblock

The print and card are available through my Etsy store.

All images © Eric Battaglia 2009

What’s everyone else doing?

Posted in Art, Process, Technique with tags , , , , , , on April 14, 2009 by scratchyb

I’ve taken this week off work, mainly to catch up on some projects (shockingly, I don’t make art for a living, its just a hobby) and procrastinate on said projects.  I’ve also been sick, though, so yesterday was a waste of a day, sleeping, drinking fluids, and reading.  Today was far more productive.  I’ve done the underdrawings for about 4 out of the 13 demons I intend to draw as part of the Old Scratch “13 Demons and 13 Devils” series that I hope to integrate into a book.   Nothing ready to post yet.

I haven’t forgotten my centipede print project either.  But right now I’m low on printing ink, and just waiting to be well enough to venture out and get some supplies.

On to procrastination: today I ran into a couple of cool posts on Drawn! about the tools and workspaces that other artists use.  Since I never went to art school, I’m forever keeping a lookout for materials papers, and brands that various artists and illustrators use, especially those that may not be obvious to me.  Likewise, it’s nice to see how other people arrange their art spaces.

The Tools Artists Use is a series of interviews by Jenny Vorwaller regarding, um, well the tools that artists use.  The Drawn! post about creative workspaces has multiple links that also have multiple links that should keep you busy for the next half hour.  For me, it’s back to work.

Books about Printmaking

Posted in animals, Art, Block Prints, Process, Technique with tags , , , on March 30, 2009 by scratchyb

I’m a sucker for books about printmaking, even though, realistically, I’ve only been practicing a very basic form of hand-pulled relief prints.  So naturally, I have to recommend The Printmaking Bible, by Ann d’Arcy Hughes and Hebe Vernon-Morris.  Yes, it’s got a hefty cover price, but it’s worth taking a look at if you can find it at your local library, or if you have the means to buy.  I love reading about the process of all types of printing, from lithography to intaglio and relief printing, and I love seeing the results.  This gives you both, and from a contemporary fine-art point of view rather than a “look at the pretty curtains I printed” crafty attitude that’s all too common with how-to books and web postings.  Now if only someone would write a book for self-imposed outside artists, I’m golden.  The one problem with flipping through The Printmaking Bible was that I wanted to take printmaking classes that I don’t have time for and buy equipment that I can’t quite afford.

In case anyone’s been keeping track, I’m still only on number four of the mixed animal series.  That’s pretty far short of my original goal, but I’m sure as hell not counting.  I’ve got a few more definite, must-draw beasties, and then I think I’ll call it quits and look for a show to hitch these things to.  I can’t wait to get to my next idea, something more appropriate: 13 devils and 13 demons.

Centipede Print final version

Posted in animals, Art, Block Prints, Process, Technique with tags , , , , on March 27, 2009 by scratchyb

Here’s the final centipede print, including a few little pill-bugs (another block I cut just in time for this project).  The pill bug will probably get its own dedicated print, because I like it so much.  This was the quickest shot I could get, but a better one will be taken soon.


I’m going to be doing a number of things with the centipede blocks, including having the segments printed on separate panels strung together.  Creating seven separate blocks gave me a lot of flexibility for creativity.  It’s giving me some other ideas for future projects.

All images © Eric Battaglia 2009

Centipede Print

Posted in Art, Block Prints, Process, Technique with tags , , on March 21, 2009 by scratchyb

I’ve been working on and off on this seven-block centipede print for the past year.  This is basically what happens with block prints: I get an idea, and it seems really good, but I never really factor in the amount of work that is involved nor the nature of the medium I inevitably choose to work with.  Then I slowly work on cutting a number of linoleum blocks and think about how to create the final print.

In this instance, I discovered that I couldn’t find a long-enough sheet of printing paper, and had to force a few curves into the print, also leaving an annoying empty spot in the center, that tomorrow I’ll be filling in with a couple quick pill-bug prints.  But the process was fun to do.  I don’t have access to a press, and with a project this large it’s probably not practical anyway, so each print is done with seven blocks arranged and printed one by one, in a painstaking process.


The result is better than I feared, but not quite as nice as I’d hoped.  Still, what I like about relief printing is the relative simplicity of it all.  I simply need a material that cuts easily, paper, and water-based ink.  No acids, no major processes necessary, just a baren, or in this case my hands, and lots of ink.  Eventually, I just started standing on the whole thing and using my feet as a press.  It was fun in its way, although my girlfriend may never get used to my habit of swearing loudly and aggressively with every minor mistake.  The final result, for now:


All images © Eric Battaglia 2009